There was an American soldier who had been deployed so often to Iraq he had taught himself Arabic and loved Baghdad as a lover. When the sun began its red descent and the birds chirped their chorus in the cool of the evening he would smoke a cigarette on the roof of the bombed out ministry building and regard her veiled in dust, the daughter of Babylon, bangled in lights from the windows of shabby high rises and the softer glow of orange street lights that were just beginning to come on. How lovely she was, with her scent of danger and the promise of battle in those labyrinthine streets.
Then he would go down and prepare his men: gas, weapons, lubricant, ammunition, radio fills, batteries and water, lists of coordinates and frequencies, maps. His truck and his men would be squared away. Everything checked. To these preparations he always brought a particular intensity characteristic of Puerto Rican NCOs. He was a dick. He was the best. And as his preparations fell into place his mood would shift from ass kicking mode into almost giddy anticipation. Soon they would be out, weapons red, loose in the streets of his beloved, his Baghdad.
On patrol he was legendary. He had a sixth sense for pathfinding. He could not be denied by any obstacle of the narrow city streets: shifting barricades, low wires, clogged traffic; all melted before him. The crack of gunfire was his stimulant, in those heated moments he grew to be ten feet tall, acquiring the aura of a much taller man, and it was many times that his power of decision saved the day.
On quiet days he was playful, even recklessly so. He would sometimes strike up conversation with young men riding motorcycles and within moments he’d be whipping a bike up and down the block popping wheelies. While the Yale-educated linguists in their ill-fitting helmets would stumble through their Arabic, he could speak to anyone on anything and make young girls smile, or he would learn bits of rumor over a few quick pulls of shisha outside a cafe. When his turn came for mid-tour leave he made a request to go into Baghdad. He was very serious about this, and earnestly explained that he would stay with friends in the Rusafa district, a request that was summarily denied. It was rumored that somehow he had an Iraqi girlfriend.
Upon redeploying to the United States he fell into a kind of indolence. The monotonies of garrison life weighed heavily on him. The “gangster way” versus the “Army way” of doing things would no longer be tolerated, so soldiering lost his interest. There was the plan to become a pilot, then a repo agent, then he mounted an uninsured 4x4 rental business. Once, when taking his wife to dinner for their anniversary he smashed his Dodge Charger into a deer on the highway. Against her screams, he wrapped the deer in a tarp and turned the car around to go home and skin it. Some men are just not suited for peace.
A great story! Robert Service wrote a wonderful poem about people like that.
"There's a race of men that don't fit in,
A race that can't stay still;
So they break the hearts of kith and kin,
And they roam the world at will.
They range the field and they rove the flood,
And they climb the mountain's crest;
Theirs is the curse of the gypsy blood,
And they don't know how to rest..."
Love your style of prose.
Reading this vignette, I drink in the narrative like sweet vanilla and caramel pouring down my throat, a cold milkshake savored at the end of a long week's labors.
There's something so beautiful about your writing, which I have been struggling to identify for years now. I'm reminded of Ray Bradbury and Hemingway when I read your work... simply the effect your passages have on the audience. But these are very imprecise comparisons, fumbling and groping in the dark.
Recently I reread "Heroes Rise//Monsters Fall" and "Our Private Kingdom" in an attempt to figure out what I admire so much about your stories, and to try to imitate these skills and incorporate them into my own work.
I think what's so beautiful about your work is that you combine several well-honed skills into an amazing arsenal which hits the readers with astonishing force.
Your stories are confident and sensual; sophisticated and primal; they tap into the most elegant forms of art, dance, music, the heights of civilization, in order to tell stories about very basic and animalistic passions... sex, war, religion, everything that is the core of existence, the adversarial extremes which give meaning and purpose to life. But all of these subjects become shrouded in taboos, they are seen as dirty and unclean and vulgar and lowbrow, because at the core of these subjects (sex, war, religion) is a fundamental competition to be triumphant.
And the flipside of competition is failure, rejection, and the shame of inadequacy. Sexual Rejection... Military Defeat... Religious Prohibitions and the Divine Judgment of God.
Anyway, it's quite beautiful.